This is one of my weekly updates on the progress of my debut crime novel, Safe Hands, about an ageing safe cracker forced out of retirement for the sake of his dying wife and a son that hates his guts.
In last week’s post I laid out the reasons for my poor writing performance (lack of planning) along with some idea of how I was going to turn things around (making a plan). Seems obvious and simple, because it is, really.
And it worked. I definitely achieved a whole lot more in the last 7 days, than the previous week. Did I achieve everything I wanted to and spend all of the time I’d alloted? No. But I was pretty close and I’ve got 1200 new words down and a lot of restructuring done.
Aside from the extra planning, the other reason for the improvement was linking up with writing buddy, Maria Smith. Our mid-week check-in by email really helps us both to stay on track. You should definitely follow Maria’s journey over at First Draft Cafe, where you can also pick up loads of tips and inspiration to help with your writing.
That Was The Week What Was
Here’s how I got on compared to the objectives I set . . .
- I will complete the structural overhaul – specifically removing all of the chapters that will now not make sense in the current draft.
COMPLETED FOR FIRST DRAFT. I cut thousands of words and a number of redundant sequences of the book.
- Based on the critique received from my writing group on the opening chapter, I will complete the edit of Chapter One.
NOT COMPLETE. I’m saving this job for the next phase of edits.
- I will write a brand new chapter, containing the minor character I feel is now needed to flesh out the back story of my antagonist, but to also add more tension and conflict to the main narrative.
NOT COMPLETE BUT . . . Instead I wrote 1200 new words of a key scene in the novel, between Mickey and his son. The location of the original scene was changed and I did a complete rewrite from scratch. The initial response from my critique group was positive and I’m confident that the novel will benefit from the new chapter.
The Week Ahead . . .
I’ll try something different this week and will share with you my target for the amount of time I will spend on the novel and just give a general overview of the areas I’ll be working on. I’ll spend a minimum of 3 hours on the novel – aiming for six 30 minute sessions over the course of the week. This was my target last week and I finished 30 minutes short of my target.
In terms of the areas I’m working on, I’ll definitely attempt the chapter that introduces a brand new minor character. This isn’t some arbitrary decision based on wanting to write a new person into the story. It came from the work I did recently, using character monologues – specifically the monologue I wrote for my main antagonist, Graham Southey. The new character arose as part of his backstory and will now allow me to more elegantly solve a narrative issue I picked up in the read through of my messy first draft. I need to illustrate the extent of Southey’s dark side and just what depths he is capable of sinking to. It should add extra tension and suspense to the story.
I will also complete the chapter I’ve been writing this week, where I have to finish a difficult scene of conflict between Mickey and his son.
Once again, it’s been great to get inspiration from a successful author, from my little bonus chat with Crime writer, William Shaw who passionately believes the secret to improving your writing is to . . . well, WRITE! That podcast episode will be released over at Joined Up Writing in the next couple of days, so be sure to check it out.
In the meantime, let me know how your own writing projects are going. What are your tips for making time to write? All at once or little and often? Let me know in the comments.
2 thoughts on “Novel Writing – Back on Track (again)”
I’m looking forward to your next blog post, it will be interesting to see how you have got on after cutting lots of words. I found it daunting, but also liberating.
It’s also interesting that you are bringing in a minor character to enrich the backstory.